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If you followed the QR code on the Anniversary postcard 

and find yourself here… Welcome! 

As the new decade looms, renewed efforts are afoot at building a book, or a movie, or perhaps a holographic experience to further commemorate the blip in the continuum called Femprov. 

Working title: When Women Weren't Funny, And How These Hilarious Gals Laughed at That Notion.

To that end, I have digitized and transcribed the handful of interviews completed with the lovely Linda Hill, Carol Roberts, Barbara Scott and Pat Daniels. They reside on our YouTube Channel in separate playlists for your viewing pleasure. Carol also contributed some unearthed footage of an early Army Opener and Unemployment Office sketch at Cobb's Pub, along with a Carol and Terry interview from a cable access show.

An increasing number of DateBook articles and listings are being added to the collection of Flyers and Press in an effort to reconstruct the myriad bookings and coverage we received.

Of course, your contributions are extremely welcome, whether it's filling in details on the Timeline, sharing your own ephemera (journals, calendars, career updates, Recollections), or arranging an interview to be added (looking at you Teresa, Susan, Debi, Sandee, Terry, and Jeannene).

Once again… Congratulations on making it to this moment in time with your memories relatively intact.

40th Anniversary • Comediennes Only (No Cover)

Postcard sent to commemorate the beginning

And now it's time to say goodbye, as we leave the Seventies for the unknown Eighties…

 40 years ago on a cold Wednesday evening in late December, 4 women of a freshly-formed improv troupe stormed onto the small stage at the Holy City Zoo as MCs or hostesses… opening act… and cheerleaders of the very first Women's Night. Pat Daniels, Susan Healy, Teresa Roberts and Terry Sand opened the show with improvisational sketches to warm up the audience for 15 minutes in preparation for the handful of women they would graciously introduce throughout the evening. There were less than a half dozen comediennes in the line-up that night, likely every woman doing stand-up in the Bay area, not a single male comic qualified for this bill. Femprov possessed the flexibility to stretch* between acts to fill and lengthen the duration of entertainment, by tag-teaming through theater games they learned in workshops and pulling the funny out of thin air. Blithely ignoring the prevailing attitudes of management** all the women that night seized the opportunity for stage time in front of a live audience. Whether it was a ground-breaking magnanimous gesture by the Holy City Zoo or a way to cash in on the novelty of women performers, Femprov claimed Women's Night as their own proving ground.

*Years later John Cantu, the booker of the Holy City Zoo explained the short 3-month run of these Women's Nights… pinning the blame on what he considered women comic's inability to stretch, unlike their male counterparts.

Two decades later, he credited the insights of Valerie E. Young, Ed. D. related to Imposter Syndrome to this puzzling difference in the sexes. Latching on to her theories concerning women's inability to bullshit was likely the satisfying reason that vexed him for years.

**In acknowledgment of ERA, women's night is every Wednesday. According to Tony DePaul most women tend to be shy and more uneasy about standup comedy. It requires a great deal of performing confidence. He also feels it is harder for an audience to laugh at a woman. It is a different style of comedy and the club offers its own all-female improvisational group called Femprov.