The goofy gals (from left, top) Jeannene Hansen, Terry Sand, Debi Durst, and Pat Daniels.
Out getting lunch at photo session time: Denise Schultz and pianist Jim Cox

Funny Femprov Forming Fan Following
Richard Friedman • 3rd Annual All-Pro Comedy Show • Pleasanton

Egads, what is this? An all women's improvisational comedy group? Sure, sure. And Nancy Reagan's getting a pink mohawk, the LA Lakers will draft Dudley Moore and former Pleasanton mayor Ed Kinny will arm wrestle Ben Davidson for a Miller Light.

But yes, dear skeptics, it's true. Femprov may sound like a vitamin supplement, but what this group has bottled is laughter. Jeannene Hansen, Debi Durst, Pat Daniels, and Denise Schultz form the area's longest-running improv team.

Don't, however, get the idea they'll be parading the stage with their copies of Ms. Magazine or tossing their bras into the crowd (heaven for bid!).
"We're just women being funny," says Hansen, who started out as the troupe's photographer in 1979. "I don't think it matters that we're all women. We don't try to be feminists."

When Femprov began, other improv groups typically featured women only as tokens. So… a few formed Femprov and fortified the feelings females are funny.
"Someone said, 'Gosh, we should do this ourselves,'" says Hansen. "We thought it's a crazy idea, but it just might work. We called it Femprov and figured, 'That'll keep people away.'"
Hansen and the group pondered other names, Broad Humor and Funny Ladies, but the original tag has become a brand of their type of humor.

Whatever the name, the acid-tongued cynics lined up to criticize the gals. "We got bad-mouthed a lot" recalls Hansen "It was "Women? Doing improv? Hang 'em! Yeah we got badmouthed, usually by men, which, I think is one reason why we stuck together for so long."
If the group broke up after four years, she adds, "there would still be a lot of people saying, 'I knew they wouldn't make it.'" Not that there haven't been moments when Hansen contemplated other lines of employment. "There have been times when we'd be performing for very small audiences and end up getting six bucks apiece and for a moment I'd think "Is it all worth it?" Then we'd have a great show and then I'd think 'Well I'm proud to be in Femprov.'"

Never, she says, has there been a problem being a Group Without Man: "Sometimes, when we bring a male in, they just assume they're going to take over. On our anniversary show, there was a lot of sexist stuff flying around. It was, 'Go to the kitchen and make something'".

People are people, however, and personality conflicts do arise within Femprov.
"If there have been conflicts," says Hansen, "they haven't been on stage. We definitely argue, but it's always been for the good of the group. We definitely listen to each other's problems."
In five years performing, there naturally have been some memorable moments. Few, says Hansen, compare to a Ukiah performance: "We were put up there, woke up the next morning and realized it was a nudist colony." The show (Behind Clothes Drawers?) went on.

Femprov usually performs every other Wednesday at Cobb's Pub in San Francisco's Marina District, every 19th Thursday at The Other Cafe comedy club in the City, and every 31st Sunday at Tony's Muffler Repair in Redwood City. 

And, rain or shine, they'll be singing their way into everyone's heart. Even if, grins Hansen "some people in the group can't sing. We let them anyway. It makes it that much funnier." Is it Memorex or is it Femprov?

Femprov, an all-woman improvisation group consists of Debbie Durst, Terry Sand (with fish)
Pat Daniels (with fan) and Jeannene Hansen (hat). Denise Schultz is not pictured.

A woman's touch: 
all female improvisational group one-of-a-kind 

by Lynn Carey • Contra Costa Times 

It's pathos, compassion and pity. It's joy, sadness and lust. And it's all experienced within a matter of seconds on any stage you find Femprov.

The only all woman improvisational group in Northern California, Femprov began out of frustration in 1979. Very few females were used in comedy groups at the time, and Susan Healy, Teresa Roberts and Terry Sand who met in an improvisational comedy workshop decided to form Femprov after San Francisco's Holy City Zoo began "women's nights".
"Women's Night" didn't last, but Femprov did. Other members joined, some left, and the group now consists of five women in their early 30s who perform weekly together —without problems.

The name of the group was a problem at first. "We always figured people would think we were castrating bitches, or gay women's comedy," said Jeannene Hansen who is a four year veteran of Femprov. "We thought of changing the name to Broad Humor or something, but now we’ve got some momentum with the name so will keep it."

Other current members of the group our founding member Terry Sand, who also teaches improvisational comedy at the Jewish Community Center (she was also the first miss Haight  Ashbury); Pat Daniels, the only member of the group who has a “real” daytime job, as a cytologist (she used to run a joke writing service with then-husband John Cantu); Denise Schultz, who is also a waitress in the Financial District and a member of Comedy Underground, an improv group that performs at the Punchline; and Debi Durst also a member of Comedy Underground. The wife of Will Durst, who won the 1983 San Francisco international Stand-up Comedy Competition, Debi is the only Femprovette who is currently married. 

Since all the women in the group are attractive, witty and obviously extremely intelligent, it would be assumed that man lineup outside the stage door after a performance.
"Would that it were true," sighed Hansen with a chuckle. "Sometimes the guys that do come backstage try to be funnier than us. It isn't effective and I'm sure they feel like jerks."
Hansen got her first taste of comedy when she attended a workshop with a friend. "I was so frightened of performing onstage, though I had a few drama classes in high school. But I got up and said something, it got a laugh and I was hooked."

Hansen supports her Femprov habit with photography and stand-up comedy (she appears solo at the Other Café the Holy City Zoo and the Punchline) "I want to be a really strong standup comic, but from my point of view it's not as rewarding as improv. There's a real bond in creating something out of nothing. You can look at the person who's performing with you in the eye and signal ‘yes, let's go with it.’ There's a real freedom in that."

Femprov does about 10 sketches based on ideas from the audience. For example, at Cobb's Pub in the Marina a few weeks ago, they were asked to be sisters vacationing in Tahiti, and the audience kept suggesting a new emotion for them to play. During another skit, the two characters onstage kept freezing while the audience yelled out another movie director.

Persuasion • Comedy Day 1983

We got wind that, despite performing at the First and Second Annual Comedy Day Celebrations, this year we were likely to be 'bumped' off the roster of 40 comedians scheduled to perform a 5 minute set in Golden Gate Park's Bandshell. Comedy Day was  the 'opportunity to publicly thank the people of San Francisco for their support and contributions to the successes we all enjoyed throughout the years.' Also, sitting on the sidelines on the big day was no fun at all.

Initially, befuddled, then incensed —an entire range of emotions was likely experienced - being members of the stereotypically and historically hysterical gender group— we used the challenging hurdle to take stock of our 3 years of cumulative accomplishments and present our list of reminders to the forgetful folks in charge… with our regular aplomb. 

Below is a one-of-a-kind plea, disguised as courteous discourse. Few other performers took the initiative to craft such a pre-emptive case-building document or were expected to 'beg' in such a fashion.  We included a full-boat press package, to boot.

As you can see from the program above, our efforts were fruitful and we performed on that sunny Saturday in July. And never had to ask nicely again.

May 5, 1983

To: The Organizing Committee of the SF Comedy Day Celebration From: FEMPROV Re: FEMPROV's Participation in the 1983 C.D. Celebration

Dear Comedy Day Celebration Committee Members,

FEMPROV, currently the longest performing improvisational comedy troupe in San Francisco, congratulates you on the growing success of the Comedy Day Celebration in Golden Gate Park. Enthusiastically, FEMPROV appeared in the first two celebrations, and the group looks forward to participating in this year's event.

As stated in a recent review in the S.F. Chronicle, FEMPROV is one of the most highly regarded improv troupes in San Francisco. FEMPROV adds to the unique character of the City's comedy scene by virtue of the fact that they are one of only several all-female comedy troupes in this country!

Listed are a few additional examples illustrating FEMPROV's contributing effort to help maintain San Francisco as the Comedy Capital of the world.

By performing at fund raising events, FEMPROV contributes their time, talent, and energy to national as well as local service organizations. Some of FEMPROV's benefit performances include the Cerebral Palsy Telethon, A Safe Place (a home for battered women) benefit, the University of San Francisco's Educational Fund benefit, S.F. City College fund raising event, the National Organization of Women, and the Organization for Abortion Rights. FEMPROV instigated the perpetuation and growth of the comedy scene in S.F. by involving themselves directly in the creation, development, and opening of Cobb's Pub in the Marina. FEMPROV-ET Terry Sand worked with the owner of Cobbs (Ron Kakiki) with the initial ground plans for transforming Cobb's from a neighborhood pub to what is now a very popular comedy club. FEMPROV as a group worked as consultants in regards to Cobb's stage design, public relations, and scheduling. FEMPROV was the first opening act at Cobb's and continued to perform there on Friday and Saturday nights for the first three months of the club's existence. Since that time, FEMPROV still performs at Cobb's on a regular basis. When the Punchline decided to add improvisational comedy to their weekly lineup they called upon FEMPROV to kick-off this idea. FEMPROV is an innovative contributor to the art of comedy. Their most recent innovation includes the use of video in their shows. Lead by FEMPROV-ET Jeannene Hansen, FEMPROV continues to explore the use of modern video technology in conjunction with live improvisational techniques. FEMPROV serves as a spring board for comediennes to grow and develop their talents into many areas of performance and comedy. Susan Healy and Carol Roberts are two examples of comediennes that began their careers with FEMPROV. FEMPROV encourages its members to grow and each FEMPROV-ET works in other areas of entertaininment ranging from stand-up to writing, teaching, and acting. The group also guests many other comediennes and provides an arena for developing their improvisational skills.

These are but a few examples of FEMPROV's contributions to comedy. The group's longevity is testimony to their hard work and tribute to the support they receive from the City's comedy fans.

FEMPROV looks forward to participating in the 1983 Comedy Day celebration and we thank you for your time and consideration!

Warmest regards, FEMPROV 1983

"Femprov is the warmest, most personable improv group in the city."

Flashes and flops: improv lives on 

by Steven Winn • SF Chronicle

A Monday night, several weeks later, 9:30 PM. Femprov, the Bay Area's only all-women improv troupe, is doing a set at Cobb's Pub on Chestnut Street. Formed in 1979 out of a frustration with the subservient roles women were assigned in earlier improv troupes, the group was popular initially as a novelty. Now the following is widespread, and deservedly so. Femprov is the warmest, most personable improv group in the city. 

The connection between the members is evident, in the responsiveness to each other's drift —or grammatical miscues —in a bit.  Ego seems to be nonexistent.

A movie trailer parody for "Nice Girls After Dark," is apt and droll. There's a gooey, loopy love-song number addressed to a male member of the audience, rich in a kind of mad cap hyper-sexuality "What I love is that women are supporting each other," one member drawls satirically in another bit. "Sexist" or "feminist" behavior, by conventional definition, is adopted by the members and shrugged off at the same time. Wit fails at times, but the bond to the audience is strong.

"When I did standup," says member Pat Daniels, "I did jokes about not getting dates. A lot of men, and women for that matter, think you have to compromise your femininity in order to be funny. Improv lets you get away from that. We can do a scene where four other women are actually supporting what you're doing instead of competing with each other —and the audience —to run themselves down."

Adds Terry Sand, "What a lot of actors are doing is 'indicating' emotions. In improv, you don't have time to get set to do that. Whatever comes up, that's what you have to go with."

Haight's Ruling Beauty

 

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Winning the title of the first-ever Miss Haight-Ashbury Saturday evening at the Great American Music Hall was Miss Laurel Heights, a.k.a. comedian Terry Sand.

~Beth Trier • SF Chronicle

 

The leap to the world of professional comedy took place about 1 ½ years ago, when, after refining her skills at improvisational workshops, she was asked to join Femprov, the Bay Area's first improvisational troupe composed entirely of women. Her present success at stand-up allows her to perform only occasionally with Femprov, but inspired moments of improvisation provide the basis for much of her routine…

~Richard C. Zimler • SF Datebook

Comedy Celebration 1982

Official Program for Comedy Celebration 1982

In the early days of San Francisco's Comedy Day, aka Comedy Celebration, a program was supplied as an alphabetical roster of those performing. The physical program encouraged the audience to "Give Your Spirits a Lift, Support Comedy" Perhaps this was a subtle suggestion to become patrons of the five comedy clubs that also graciously sponsored this bright daylight performances in an open-air venue.

The performers, unaccustomed to working during the day under a limitless height of ceiling space, much less a vast sprawling lawn or grove of trees, needed to adjust to the circumstances by 'playing to the balconies'. Femprov did their best to adapt with sketches suited to the enormous outdoor venue. By way of introduction, our piano player, Jim Cox supplied musical accompaniment for our BIG musical number of the time. This year in particular we performed our Motown-inspired piece 'You Can't Hurry Us' sung the tune of 'You Can't Hurry Love' by Diana Ross and the Supremes. Our entrance was frantic and chaotic to cover as much stage space during the opening bars, until we settled in front of the microphones spread wide across the stage to belt out the parody. The conceit was we were touring backup singers who's sequined evening gowns had been stolen 'somewhere near Barstow' suspiciously at the same time of the disappearance of our lead singer. Consequently, the vestiges of our costumes were our long white evening gloves. In this case, they worked like flags on our wildly gesturing arm dancing to let our presence be known. We likely added a quick round of L.A.Tag to fill our 5 minute slot. And then Jim played us off to the thunderous applause we earned. 

Pre-show gathering or post-show debrief

Jim Cox, the glue for our musical numbers.

Steven Pearl photo bombs Femprov.

Confessing "We're just here to improvise"